From Plaka there are numerous streets leading northwest
towards the sites of the Ancient and Roman Agoras, however the most direct
route is via Odos Adrianou. Take a short diversion right along Odos Paleologolou
to explore Mitropolis, Cathedral of the City of Athens. Built in the 1840s
following Greek independence from the remains of over 70 churches, the
interior is currently undergoing extensive renovation and most of the
walls are covered with scaffolding. The cathedral is a focus for prayer,
particularly to the Black Madonna surrounded by an ornate silver frame.
In the shadow of the cathedral is the tiny Mikri Mitropolis (Little Cathedral),
officially named Panagia Gorgoepikos and sometimes known as Aghios Eleftherios
or "freedom church," the name given after King Otto left the
Greek throne. Dating from the 12th century, the church was built using
stone from the ancient sites of the city. Wander around its exterior walls
to see sections from Greek and Roman columns, or fragments of ornate pediments.
Nearby, where Mitropoleos meets Pentelis, is another
church, Aghia Dinamis, which means "the holy power of the Virgin."
This tiny place of worship has survived the redevelopment of the district
but now sits literally underneath a mod- ern office block.
Just beside the Agora you'll see one of only two mosques
still standing in the city, it now houses an archaeological workshop and
is not open to the public. Nearby on Odos Diogenous is the Museum of Greek
Folk Music with a fascinating collection of instruments and musical recordings
bringing the varied regional folk music of Greece to life.
Continue along Adrianou to find the remains of the Ancient Agora, birthplace
of western democracy and the social heart of the ancient city-state of
Athens (agora comes from the Greek agiero, meaning to assemble). From
the 6th century BC, this area played host to a number of activities including
religious and political meetings, law courts, education, shopping or simply
passing the time of day. Here Socrates regalled the people with his philosophical
theories, unfortunately for him he fell foul of the authorities and was
put to death in 403 BC. St. Paul met an audience of "skeptics"
who argued against him when he gave a speech here in AD 51. The whole
area was razed during Barbarian attacks in the centuries following the
fall of the Roman Empire and was covered with new buildings during Byzantine
times, all of which had to be cleared when excavations began.

From the entrance at Adrianou (there are two other entrances
to the site) look immediately to your right to see remains of the Altar
of the Twelve Gods; a small monument from where distances from Athens
to all other points in the Greek world were measured. This was truly the
centre of the world during the Classical Greek era. Directly ahead in
the area of the central Agora the outline of the Altar of Ares and Temple
of Ares can be seen in gravel. Behind this, the remains of the Odeon of
Agrippa, built in 15 BC, and the Royal Palace overlaid by two later stoas
can be discerned. In the southeast corner of the site, the 11 th-century
church of Ayioi Apostoloi is the only building on the site remain- ing
from the Byzantine era. Greatly changed over the centuries, it was fully
restored to its original form in the late 1950s. The paintings in the
narthex are original; others were transplanted from the Hephaisteion (
see below) when it was deconsecrated.
To the right, facing the main square are two Bouleuterions (council chambers).
These served the city from the time of Kleisthenes and his Council of
500 in the late 5th century BC. Beyond the council chambers stands the
best-preserved temple in Athens, the Hephaisteion or Temple of Hephaistos,
also known as the Thisio. The design of the temple is classic Doric and
was completed after the Persian invasions. Hephaistos was the god of metalworking,
and this temple was set at the heart of the srnithing and iron-mongery
district of the city. Later it was converted into a church with the addition
of interior walls and this survived through Ottoman times-the last services
were performed in the 1830s. For some years following it served as the
first archaeological museum in Greece.
The exterior of the temple is well-preserved and uses
the same curved lines as the Parthenon, though the columns are more slender
and the entablature (horizontal platform above the columns) sturdier.
The metopes (carved space on a Doric frieze) around the entablature depict
the legendary feats of Heracles and Theseus. Surrounding the temple is
a garden area attempting to recreate a garden that existed here in the
ancient era. It includes the same plants species-medicinal and herbal-
that were popular during that time.
The eastern flank of the Agora site is dominated by the
Stoa of Attalos. First erected by King Attalos of Pergamon and opened
in 138 BC, it was faithfully recreated during the 1950s to offer us a
stunning vision of what communal buildings were like in ancient times.
Stoas were extremely popular in the Roman era and all large settlements
had one. These long porches or porticos provided shade in summer and shelter
in winter and they were often used to link important community buildings.
The Stoa of Attalos was a two-storey construction with I:ooms at the back
that housed small shops. Today it is home to the Agora Museum and displays
numerous artefacts found at this extensive sight. Here you'll find a range
of everyday objects not seen in the Acropolis Museum, in addition to religious
and civic statuary and mosaics.
The route of the great Sacred Way that linked the Ancient
Agora with the Acropolis above is been excavated and rebuilt to allow
visitors to walk in the footsteps of the ancient Athenians.
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